{"id":13560,"date":"2025-03-11T18:19:01","date_gmt":"2025-03-11T17:19:01","guid":{"rendered":"https:\/\/www.fayence-steinzeug-vogt.de\/de\/?p=13560"},"modified":"2026-01-30T12:30:28","modified_gmt":"2026-01-30T11:30:28","slug":"dippoldiswalde-hunting-tankard-ca-1690","status":"publish","type":"post","link":"https:\/\/www.fayence-steinzeug-vogt.de\/de\/dippoldiswalde-hunting-tankard-ca-1690\/","title":{"rendered":"Dippoldiswalde Hunting Tankard ca. 1690"},"content":{"rendered":"\n<h2 class=\"wp-block-heading\">Noble Pursuits: Hunting Scenes on a <br>Dippoldiswalde Stoneware Tankard<\/h2>\n\n\n\n<p>German Stoneware Dippoldiswalde Tankard ca. 1690 with horseman and stag in polychrome enamel colours, H. 18 cm Meissen pewter mount with hallmark of Johann Christian Weigandt<\/p>\n\n\n\n<figure data-wp-context=\"{&quot;imageId&quot;:&quot;69eb0d8772115&quot;}\" data-wp-interactive=\"core\/image\" data-wp-key=\"69eb0d8772115\" class=\"wp-block-image size-large wp-lightbox-container\"><img loading=\"lazy\" decoding=\"async\" width=\"767\" height=\"1024\" data-wp-class--hide=\"state.isContentHidden\" data-wp-class--show=\"state.isContentVisible\" data-wp-init=\"callbacks.setButtonStyles\" data-wp-on--click=\"actions.showLightbox\" data-wp-on--load=\"callbacks.setButtonStyles\" data-wp-on-window--resize=\"callbacks.setButtonStyles\" src=\"https:\/\/www.fayence-steinzeug-vogt.de\/wp-content\/uploads\/2025\/02\/annaberg-dippoldiswalde-stoneware-hunting-jug-17th-767x1024.jpg\" alt=\"\" class=\"wp-image-12703\" srcset=\"https:\/\/www.fayence-steinzeug-vogt.de\/wp-content\/uploads\/2025\/02\/annaberg-dippoldiswalde-stoneware-hunting-jug-17th-767x1024.jpg 767w, https:\/\/www.fayence-steinzeug-vogt.de\/wp-content\/uploads\/2025\/02\/annaberg-dippoldiswalde-stoneware-hunting-jug-17th-225x300.jpg 225w, https:\/\/www.fayence-steinzeug-vogt.de\/wp-content\/uploads\/2025\/02\/annaberg-dippoldiswalde-stoneware-hunting-jug-17th-768x1025.jpg 768w, https:\/\/www.fayence-steinzeug-vogt.de\/wp-content\/uploads\/2025\/02\/annaberg-dippoldiswalde-stoneware-hunting-jug-17th-1151x1536.jpg 1151w, https:\/\/www.fayence-steinzeug-vogt.de\/wp-content\/uploads\/2025\/02\/annaberg-dippoldiswalde-stoneware-hunting-jug-17th-1534x2048.jpg 1534w, https:\/\/www.fayence-steinzeug-vogt.de\/wp-content\/uploads\/2025\/02\/annaberg-dippoldiswalde-stoneware-hunting-jug-17th-scaled.jpg 1918w\" sizes=\"(max-width: 767px) 100vw, 767px\" \/><button\n\t\t\tclass=\"lightbox-trigger\"\n\t\t\ttype=\"button\"\n\t\t\taria-haspopup=\"dialog\"\n\t\t\taria-label=\"Vergr\u00f6\u00dfern\"\n\t\t\tdata-wp-init=\"callbacks.initTriggerButton\"\n\t\t\tdata-wp-on--click=\"actions.showLightbox\"\n\t\t\tdata-wp-style--right=\"state.imageButtonRight\"\n\t\t\tdata-wp-style--top=\"state.imageButtonTop\"\n\t\t>\n\t\t\t<svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"12\" height=\"12\" fill=\"none\" viewBox=\"0 0 12 12\">\n\t\t\t\t<path fill=\"#fff\" d=\"M2 0a2 2 0 0 0-2 2v2h1.5V2a.5.5 0 0 1 .5-.5h2V0H2Zm2 10.5H2a.5.5 0 0 1-.5-.5V8H0v2a2 2 0 0 0 2 2h2v-1.5ZM8 12v-1.5h2a.5.5 0 0 0 .5-.5V8H12v2a2 2 0 0 1-2 2H8Zm2-12a2 2 0 0 1 2 2v2h-1.5V2a.5.5 0 0 0-.5-.5H8V0h2Z\" \/>\n\t\t\t<\/svg>\n\t\t<\/button><\/figure>\n\n\n\n<p>This Dippoldiswalde stoneware tankard, with its vibrant hunting scenes and fine pewter mounts by Johann Christian Weigandt, represents an important example of late 17th century craftsmanship<\/p>\n\n\n\n<p>The tankard features exceptionally detailed polychrome hunting scenes. The primary scene depicts a noble huntsman on horseback. The horse&#8217;s detailed anatomy, galopping with flowing tail, shows the craftsman&#8217;s attention to naturalistic representation. <\/p>\n\n\n\n<p>Characteristics of Dippoldiswalde stonewar that form a unique style are the very darkbrown slip glaze with impressed scale pattern serving as a contrasting foundation for the applied relief decoration with enamel painting mainly in white, red, yellow, blue partly guilded. Further decorative ornaments were palmettos or pomgranates.<\/p>\n\n\n\n<figure data-wp-context=\"{&quot;imageId&quot;:&quot;69eb0d8772738&quot;}\" data-wp-interactive=\"core\/image\" data-wp-key=\"69eb0d8772738\" class=\"wp-block-image size-large wp-lightbox-container\"><img loading=\"lazy\" decoding=\"async\" width=\"767\" height=\"1024\" data-wp-class--hide=\"state.isContentHidden\" data-wp-class--show=\"state.isContentVisible\" data-wp-init=\"callbacks.setButtonStyles\" data-wp-on--click=\"actions.showLightbox\" data-wp-on--load=\"callbacks.setButtonStyles\" data-wp-on-window--resize=\"callbacks.setButtonStyles\" src=\"https:\/\/www.fayence-steinzeug-vogt.de\/wp-content\/uploads\/2025\/03\/annaberg-dippoldiswalde-stoneware-hunting-jug-17th-century-767x1024.jpg\" alt=\"\" class=\"wp-image-13603\" srcset=\"https:\/\/www.fayence-steinzeug-vogt.de\/wp-content\/uploads\/2025\/03\/annaberg-dippoldiswalde-stoneware-hunting-jug-17th-century-767x1024.jpg 767w, https:\/\/www.fayence-steinzeug-vogt.de\/wp-content\/uploads\/2025\/03\/annaberg-dippoldiswalde-stoneware-hunting-jug-17th-century-225x300.jpg 225w, https:\/\/www.fayence-steinzeug-vogt.de\/wp-content\/uploads\/2025\/03\/annaberg-dippoldiswalde-stoneware-hunting-jug-17th-century-768x1026.jpg 768w, https:\/\/www.fayence-steinzeug-vogt.de\/wp-content\/uploads\/2025\/03\/annaberg-dippoldiswalde-stoneware-hunting-jug-17th-century-1150x1536.jpg 1150w, https:\/\/www.fayence-steinzeug-vogt.de\/wp-content\/uploads\/2025\/03\/annaberg-dippoldiswalde-stoneware-hunting-jug-17th-century-1534x2048.jpg 1534w, https:\/\/www.fayence-steinzeug-vogt.de\/wp-content\/uploads\/2025\/03\/annaberg-dippoldiswalde-stoneware-hunting-jug-17th-century-scaled.jpg 1917w\" sizes=\"(max-width: 767px) 100vw, 767px\" \/><button\n\t\t\tclass=\"lightbox-trigger\"\n\t\t\ttype=\"button\"\n\t\t\taria-haspopup=\"dialog\"\n\t\t\taria-label=\"Vergr\u00f6\u00dfern\"\n\t\t\tdata-wp-init=\"callbacks.initTriggerButton\"\n\t\t\tdata-wp-on--click=\"actions.showLightbox\"\n\t\t\tdata-wp-style--right=\"state.imageButtonRight\"\n\t\t\tdata-wp-style--top=\"state.imageButtonTop\"\n\t\t>\n\t\t\t<svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"12\" height=\"12\" fill=\"none\" viewBox=\"0 0 12 12\">\n\t\t\t\t<path fill=\"#fff\" d=\"M2 0a2 2 0 0 0-2 2v2h1.5V2a.5.5 0 0 1 .5-.5h2V0H2Zm2 10.5H2a.5.5 0 0 1-.5-.5V8H0v2a2 2 0 0 0 2 2h2v-1.5ZM8 12v-1.5h2a.5.5 0 0 0 .5-.5V8H12v2a2 2 0 0 1-2 2H8Zm2-12a2 2 0 0 1 2 2v2h-1.5V2a.5.5 0 0 0-.5-.5H8V0h2Z\" \/>\n\t\t\t<\/svg>\n\t\t<\/button><\/figure>\n\n\n\n<p>The distinctive polychrome decoration on this tankard exemplifies the sophisticated enamel techniques involving multiple stages of production requiring considerable technical skill<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Attribution: Annaberg | Dippoldiswalde<\/h3>\n\n\n\n<p>Speculations on attributions of Dippoldiswalde stoneware since the middle of 19th century have been manifold. Ranging from mere speculations to serious research based on pewter marks and coat of arms to determine a place or origin. At the middle of 20th century Annaberg was most probable as the location of the productions of these ceramic objects. A very good description of the development of the attribution of Dippoldiswalde stoneware since the middle of the 19th century can be obtained by the standard reference Horschik Steinzeug p 217 ff (Horschik, Josef.\u00a0<em>Steinzeug: 15.-19. Jh.; von B\u00fcrgel bis Muskau<\/em>. Ebeling, 1981.)\u00a0So I do not want to go into this any further, as these longstanding discussions came to an end at the turn of the century with excavations that have been taking place in the Dippoldiswalde area and produced finds of \u201cAnnaberg type\u201d molds and fragments. As a result the state of research as of today is that Dippoldiswalde is the origin of these stoneware objects formerly attributed to Annaberg. (see Anne Barth: Dippoldiswalder Steinzeug. Ein T\u00f6pferhandwerk und seine kulturhistorische Bedeutung.\u201d 2018)<\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Reference Objects<\/h4>\n\n\n\n<div class=\"wp-block-media-text is-stacked-on-mobile\" style=\"grid-template-columns:55% auto\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"787\" height=\"1024\" src=\"https:\/\/www.fayence-steinzeug-vogt.de\/wp-content\/uploads\/2025\/03\/Malerei-und-Feuerkunst-Band-III-Silvia-Glaser-Sammlung-Neuner-Dippoldiswalde-787x1024.jpg\" alt=\"\" class=\"wp-image-13643 size-full\" srcset=\"https:\/\/www.fayence-steinzeug-vogt.de\/wp-content\/uploads\/2025\/03\/Malerei-und-Feuerkunst-Band-III-Silvia-Glaser-Sammlung-Neuner-Dippoldiswalde-787x1024.jpg 787w, https:\/\/www.fayence-steinzeug-vogt.de\/wp-content\/uploads\/2025\/03\/Malerei-und-Feuerkunst-Band-III-Silvia-Glaser-Sammlung-Neuner-Dippoldiswalde-231x300.jpg 231w, https:\/\/www.fayence-steinzeug-vogt.de\/wp-content\/uploads\/2025\/03\/Malerei-und-Feuerkunst-Band-III-Silvia-Glaser-Sammlung-Neuner-Dippoldiswalde-768x999.jpg 768w, https:\/\/www.fayence-steinzeug-vogt.de\/wp-content\/uploads\/2025\/03\/Malerei-und-Feuerkunst-Band-III-Silvia-Glaser-Sammlung-Neuner-Dippoldiswalde-1181x1536.jpg 1181w, https:\/\/www.fayence-steinzeug-vogt.de\/wp-content\/uploads\/2025\/03\/Malerei-und-Feuerkunst-Band-III-Silvia-Glaser-Sammlung-Neuner-Dippoldiswalde-1574x2048.jpg 1574w, https:\/\/www.fayence-steinzeug-vogt.de\/wp-content\/uploads\/2025\/03\/Malerei-und-Feuerkunst-Band-III-Silvia-Glaser-Sammlung-Neuner-Dippoldiswalde.jpg 1920w\" sizes=\"(max-width: 787px) 100vw, 787px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p>Dippoldiswalde Stoneware Tankard with polychrome decoration depicting Electress and Hunting scenery ca. 1690<br><br>source: <br>Silvia Glaser Malerei und Feuerkunst: Steinzeug, Irdenware und Fayencen der Sammlung Neuner &#8211; Band III <\/p>\n\n\n\n<p>Page 67 ff<\/p>\n<\/div><\/div>\n\n\n\n<h4 class=\"wp-block-heading\">Literature<\/h4>\n\n\n\n<div class=\"wp-block-media-text is-stacked-on-mobile\" style=\"grid-template-columns:40% auto\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"769\" height=\"1024\" src=\"https:\/\/www.fayence-steinzeug-vogt.de\/wp-content\/uploads\/2025\/03\/IMG_20250312_135220-769x1024.jpg\" alt=\"\" class=\"wp-image-13638 size-full\" srcset=\"https:\/\/www.fayence-steinzeug-vogt.de\/wp-content\/uploads\/2025\/03\/IMG_20250312_135220-769x1024.jpg 769w, https:\/\/www.fayence-steinzeug-vogt.de\/wp-content\/uploads\/2025\/03\/IMG_20250312_135220-225x300.jpg 225w, https:\/\/www.fayence-steinzeug-vogt.de\/wp-content\/uploads\/2025\/03\/IMG_20250312_135220-768x1023.jpg 768w, https:\/\/www.fayence-steinzeug-vogt.de\/wp-content\/uploads\/2025\/03\/IMG_20250312_135220-1153x1536.jpg 1153w, https:\/\/www.fayence-steinzeug-vogt.de\/wp-content\/uploads\/2025\/03\/IMG_20250312_135220-1538x2048.jpg 1538w, https:\/\/www.fayence-steinzeug-vogt.de\/wp-content\/uploads\/2025\/03\/IMG_20250312_135220-scaled.jpg 1922w\" sizes=\"(max-width: 769px) 100vw, 769px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p>Silvia Glaser <\/p>\n\n\n\n<p>Malerei und Feuerkunst: Steinzeug, Irdenware und Fayencen der Sammlung Neuner &#8211; Band III <br>2020<br>Verlag PH.C.W. SCHMIDT, Neustadt an der Aisch<br><\/p>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-media-text is-stacked-on-mobile\" style=\"grid-template-columns:40% auto\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"405\" height=\"500\" src=\"https:\/\/www.fayence-steinzeug-vogt.de\/wp-content\/uploads\/2017\/02\/Steinzeug-J.-Horschik.jpg\" alt=\"Steinzeug J. Horschik Von B\u00fcrgel bis Muskau\" class=\"wp-image-2801 size-full\" srcset=\"https:\/\/www.fayence-steinzeug-vogt.de\/wp-content\/uploads\/2017\/02\/Steinzeug-J.-Horschik.jpg 405w, https:\/\/www.fayence-steinzeug-vogt.de\/wp-content\/uploads\/2017\/02\/Steinzeug-J.-Horschik-243x300.jpg 243w\" sizes=\"(max-width: 405px) 100vw, 405px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p>Steinzeug von B\u00fcrgel bis Muskau, 15. bis 19. Jahrhundert Josef Horschik, Dresden 1978 <br>Seiten 217 ff.<\/p>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-media-text is-stacked-on-mobile\" style=\"grid-template-columns:40% auto\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"452\" height=\"648\" src=\"https:\/\/stage.fayence-steinzeug-vogt.de\/wp-content\/uploads\/2018\/07\/Dippoldiswalder-Steinzeug-Ein-Topferhandwerk-und-seine-kulturhistorische-Bedeutung-Anne-Barth-2018.jpg\" alt=\"Dippoldiswalder Steinzeug - Ein T\u00f6pferhandwerk und seine kulturhistorische Bedeutung Anne Barth 2018\" class=\"wp-image-4488 size-full\" srcset=\"https:\/\/www.fayence-steinzeug-vogt.de\/wp-content\/uploads\/2018\/07\/Dippoldiswalder-Steinzeug-Ein-Topferhandwerk-und-seine-kulturhistorische-Bedeutung-Anne-Barth-2018.jpg 452w, https:\/\/www.fayence-steinzeug-vogt.de\/wp-content\/uploads\/2018\/07\/Dippoldiswalder-Steinzeug-Ein-Topferhandwerk-und-seine-kulturhistorische-Bedeutung-Anne-Barth-2018-209x300.jpg 209w\" sizes=\"(max-width: 452px) 100vw, 452px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p>&nbsp;\u201cAnne Barth: Dippoldiswalder Steinzeug. Ein T\u00f6pferhandwerk und seine kulturhistorische Bedeutung.\u201d 2018 Landesamt f\u00fcr Arch\u00e4ologie Sachsen&nbsp;(Verlag).<br><a href=\"https:\/\/journals.ub.uni-heidelberg.de\/index.php\/mitt-dgamn\/article\/view\/77935\">https:\/\/journals.ub.uni-heidelberg.de\/index.php\/mitt-dgamn\/article\/view\/77935<\/a><\/p>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-media-text is-stacked-on-mobile\" style=\"grid-template-columns:40% auto\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"386\" height=\"600\" src=\"https:\/\/www.fayence-steinzeug-vogt.de\/wp-content\/uploads\/2025\/03\/Hintze-Die-deutschen-Zinngiesser-und-ihre-Marken.jpg\" alt=\"\" class=\"wp-image-13567 size-full\" srcset=\"https:\/\/www.fayence-steinzeug-vogt.de\/wp-content\/uploads\/2025\/03\/Hintze-Die-deutschen-Zinngiesser-und-ihre-Marken.jpg 386w, https:\/\/www.fayence-steinzeug-vogt.de\/wp-content\/uploads\/2025\/03\/Hintze-Die-deutschen-Zinngiesser-und-ihre-Marken-193x300.jpg 193w\" sizes=\"(max-width: 386px) 100vw, 386px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p>Hintze, Erwin [Hrsg.] Band V<br>Die deutschen Zinngie\u00dfer und ihre Marken<\/p>\n\n\n\n<p><a href=\"https:\/\/doi.org\/10.11588\/diglit.41533\">https:\/\/doi.org\/10.11588\/diglit.41533<\/a><\/p>\n\n\n\n<p>digital access to all volumes<\/p>\n<\/div><\/div>\n\n\n\n<h4 class=\"wp-block-heading\">Related Articles<\/h4>\n\n\n\n<figure class=\"wp-block-embed is-type-wp-embed is-provider-peter-vogt-fayence-und-steinzeug-aus-vier-jahrhunderten wp-block-embed-peter-vogt-fayence-und-steinzeug-aus-vier-jahrhunderten\"><div class=\"wp-block-embed__wrapper\">\n<blockquote class=\"wp-embedded-content\" data-secret=\"AnyjPWLzyu\"><a href=\"https:\/\/www.fayence-steinzeug-vogt.de\/en\/17th-century-dippoldiswalde-stoneware\/\">17th Century Dippoldiswalde Stoneware<\/a><\/blockquote><iframe loading=\"lazy\" class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" style=\"position: absolute; visibility: hidden;\" title=\"&#8220;17th Century Dippoldiswalde Stoneware&#8221; &#8212; Peter Vogt Fayence und Steinzeug aus vier Jahrhunderten\" src=\"https:\/\/www.fayence-steinzeug-vogt.de\/en\/17th-century-dippoldiswalde-stoneware\/embed\/#?secret=s4S27giCCP#?secret=AnyjPWLzyu\" data-secret=\"AnyjPWLzyu\" width=\"500\" height=\"282\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"><\/iframe>\n<\/div><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Noble Pursuits: Hunting Scenes on a Dippoldiswalde Stoneware Tankard German Stoneware Dippoldiswalde Tankard ca. 1690 with horseman and stag in polychrome enamel colours, H. 18 cm Meissen pewter mount with hallmark of Johann Christian Weigandt This Dippoldiswalde stoneware tankard, with its vibrant hunting scenes and fine pewter mounts by Johann Christian Weigandt, represents an important [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":13564,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[28,33],"tags":[38,39,302],"class_list":["post-13560","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-european-ceramics","category-steinzeug","tag-17-jahrhundert","tag-17th-century-art","tag-jagdkrug"],"_links":{"self":[{"href":"https:\/\/www.fayence-steinzeug-vogt.de\/de\/wp-json\/wp\/v2\/posts\/13560","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.fayence-steinzeug-vogt.de\/de\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.fayence-steinzeug-vogt.de\/de\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.fayence-steinzeug-vogt.de\/de\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.fayence-steinzeug-vogt.de\/de\/wp-json\/wp\/v2\/comments?post=13560"}],"version-history":[{"count":18,"href":"https:\/\/www.fayence-steinzeug-vogt.de\/de\/wp-json\/wp\/v2\/posts\/13560\/revisions"}],"predecessor-version":[{"id":14187,"href":"https:\/\/www.fayence-steinzeug-vogt.de\/de\/wp-json\/wp\/v2\/posts\/13560\/revisions\/14187"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.fayence-steinzeug-vogt.de\/de\/wp-json\/wp\/v2\/media\/13564"}],"wp:attachment":[{"href":"https:\/\/www.fayence-steinzeug-vogt.de\/de\/wp-json\/wp\/v2\/media?parent=13560"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.fayence-steinzeug-vogt.de\/de\/wp-json\/wp\/v2\/categories?post=13560"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.fayence-steinzeug-vogt.de\/de\/wp-json\/wp\/v2\/tags?post=13560"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}