{"id":13092,"date":"2025-02-22T15:25:48","date_gmt":"2025-02-22T14:25:48","guid":{"rendered":"https:\/\/www.fayence-steinzeug-vogt.de\/?p=13092"},"modified":"2025-02-22T15:28:59","modified_gmt":"2025-02-22T14:28:59","slug":"17th-century-salzburg-faience","status":"publish","type":"post","link":"https:\/\/www.fayence-steinzeug-vogt.de\/en\/17th-century-salzburg-faience\/","title":{"rendered":"17th century Salzburg Faience"},"content":{"rendered":"\n

Plate with Horsemen Workshop Thomas Obermillner ca. 1675<\/h2>\n\n\n\n
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The blue curved and shaded band is a characteristic of Thomas Obermillner’s workshop.
The dark waves are outlined with a lighter-coloured band. This divides the surface into several pictorial fields, which are decorated with different motifs mostly hunting decoration but as well other topics.

The wave band decorated faience of the Obermillner workshop is unique and very recognizable.
No other known European ceramics have the blue band as a decoration characteristic.

The plates of the Obermillner workshop are artistically designed and unfold their exceptional impression by being divided into segments with room for decoration on a flat plate even better than on a cylindrical jug. Shown by this very elaborately designed example with horesmen and resting doe.<\/p>\n\n\n\n

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Salzburger Fayenceteller mit Reitern um 1675, aus der Werkstatt Thomas Obermillner, D. 32 cm<\/figcaption><\/figure>\n\n\n\n
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Salzburg Faience Plate ca. 1675, Workshop Thomas Obermillner, D. 32 cm<\/figcaption><\/figure>\n<\/figure>\n\n\n\n

A very rare example of the characteristic design of the Obermillner Workshop of museum quality. There are only 2 known reference objects in the form of a plate – presumably meant as a decorative wall plate and not for use as a dish in the Salzburg Museum.<\/p>\n\n\n\n

Reference Objects Collection Salzburg Museum Carolino Augusteum Salzburg<\/a><\/h4>\n\n\n\n
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\u00a9 Salzburg Museum – Keramik Teller Thomas Obermillner 1670 – 1680 <\/figcaption><\/figure>\n\n\n\n
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\u00a9 Salzburg Museum – Keramik Teller Thomas Obermillner 1670 – 1680 <\/figcaption><\/figure>\n\n\n\n

Reference Object Collection MAK Wien<\/a><\/h4>\n\n\n\n
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MAK Museum Wien Sammlung online Salzburg Krug, Werkstatt Thomas Obermillner, MAK Inv.nr. KE 6027<\/figcaption><\/figure>\n\n\n\n

Reference Objects Collection Peter Vogt<\/h4>\n\n\n\n
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Salzburger Fayence Jagdkrug um 1680, aus der Werkstatt Thomas Obermillner, H. 13 cm<\/figcaption><\/figure>\n\n\n\n
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Salzburger Fayence Jagdkrug Werkstatt Thomas Obermillner um 1680, 23 cm<\/figcaption><\/figure>\n\n\n\n
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Salzburger Fayencebirnkrug um 1690 Werkstatt Thomas Obermillner, H. 24 cm<\/figcaption><\/figure>\n\n\n\n
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Salzburger Fayence Birnkrug um 1690, aus der Fayence-Werkstatt Thomas Obermillner, H. 22 cm<\/figcaption><\/figure>\n\n\n\n
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Salzburger Fayencebirnkrug mit Hirsch um 1690 Werkstatt Thomas Obermillner, H. 24 cm <\/figcaption><\/figure>\n\n\n\n
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Salzburger Fayencebirnkrug mit Hase um 1690 Werkstatt Thomas Obermillner, H. 24 cm <\/figcaption><\/figure>\n<\/figure>\n\n\n\n

Literature<\/h3>\n\n\n\n
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Blaue Welle – gr\u00fcne Flamme: Salzburger und Gmunder Fayencen 17.-19. Jahrhundert.
Aus der Sammlung des Carolino Augusteum Svoboda, Christa und Wolfram Morath (Hrsg.) Salzburg : Carolino Augusteum, 1999 <\/p>\n\n\n\n

Ausstellungskatalog von 1999 die Besonderheiten der Fayencen aus der Obermillner Werkstatt. S. 16 ff <\/em><\/p>\n<\/div><\/div>\n\n\n\n

Related Articles<\/h4>\n\n\n\n
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Fayence aus der Werkstatt Thomas Obermillner Salzburg<\/a><\/blockquote>