{"id":4405,"date":"2018-05-09T09:33:42","date_gmt":"2018-05-09T07:33:42","guid":{"rendered":"http:\/\/www.fayence-steinzeug-vogt.de\/?p=4405"},"modified":"2023-08-21T10:02:19","modified_gmt":"2023-08-21T08:02:19","slug":"meissen-kaendler-wiedehopf-18jh","status":"publish","type":"post","link":"https:\/\/www.fayence-steinzeug-vogt.de\/en\/meissen-kaendler-wiedehopf-18jh\/","title":{"rendered":"Meissen | Kaendler | Wiedehopf 18. JH"},"content":{"rendered":"

In diesen Tagen wird bei Christie’s<\/a> der
\nNachlass von David und Peggy Rockefeller<\/a> versteigert.<\/strong><\/h3>\n

Teil der Sammlung ist ein besonders sch\u00f6nes Paar Wiedehopfe<\/a> von
\nJohann Joachim Kaendler<\/a><\/strong> (1706 -1755)
\nAb 1731 schuf der gelernte Bildhauer Kaendler die erste europ\u00e4ische Formensprache
\nf\u00fcr Porzellan und l\u00e4utete damit die k\u00fcnstlerische Bl\u00fctezeit der Porzellan Manufaktur
\nin Meissen ein. Der Wiedehopf steht leider auf der Roten Liste. Im 18. JH war das noch ganz anders. Da konnte Johann Joachim Kaendler die Wiedehopfe in der Natur studieren. Seine fr\u00fchen Skulpturen, welche in erster Linie Motive aus der Tierwelt wiedergaben, wurden f\u00fcr ihre Nat\u00fcrlichkeit und Eleganz ger\u00fchmt, welche sie vom Pathos der
\n\u00fcblichen Darstellungen abhob. Zu nennen sind in diesem Zusammenhang
\ninsbesondere seine Vogelskulpturen.
\n<\/strong><\/p>\n

\n
\n

\"Two<\/p>\n<\/div>\n

<\/div>\n<\/div>\n
\n
\n

Two Meissen porcelain models of hoopoes (wiedehopf), circa 174, modeled by J.J. K\u00e4ndler<\/a>. 12 \u00bc in (31 cm) high. Estimate: $20,000-30,000. This lot is offered in The Collection of David and Peggy Rockefeller: English & European Furniture, Ceramics & Decorations, Part I<\/a> on 9 May at Christie\u2019s in New York<\/p>\n<\/div>\n<\/div>\n

\n

These exquisite Meissen hoopoes were the work of Johann K\u00e4ndler (1706-1775), the greatest and most talented European porcelain modeller of his age.<\/p>\n<\/div>\n

\n

Johann K\u00e4ndler trained as a sculptor in Dresden before joining the Meissen factory in 1731. There, at the behest of Emperor Augustus, he began modelling technically challenging large figures of birds and animals for the Japanese Palace at Dresden. In 1733 he was promoted to chief modeller at Meissen, a position he held until his death.<\/p>\n

K\u00e4ndler was responsible for a new kind of porcelain, introducing a range of smaller figures with fired-on enamels in the late 1730s. He was also responsible for taking on and training the next generation of master modellers. His principal assistant was Johann Eberlein, who joined Meissen in 1735, followed by Johann Gottlieb Ehder, Peter Reinicke and Friedrich Elias Meyer. The Meissen records reflect that both K\u00e4ndler and Ehder worked on these rare and exceptional hoopoe birds, which David and Peggy Rockefeller acquired from the estate of David\u2019s brother, Laurance S. Rockefeller, in 2004.<\/p>\n<\/div>\n

\n
\"The<\/div>\n<\/div>\n
\n
\n

The Meissen hoopoes were displayed in the dining room of the Rockefellers\u2019 65th Street home in New York, which was decorated with original 18th-century wallpaper<\/p>\n<\/div>\n<\/div>\n

\n

\u2018The meticulous quality and perfect nature of these objects tells you a lot about the Rockefellers,\u2019 says Johnson. \u2018They appreciated the effort and work and skill that it took to ensure the hoopoes were as close to life as possible. They believed that doing something as well as you can is an obligation, and the painstaking qualities evident in these Meissen birds reflect that.\u2019<\/p>\n

These porcelain models were displayed in the dining room of David and Peggy Rockefeller\u2019s home on 65th Street in New York, a space decorated in original wallpaper from the 18th century. \u2018They were on a small table underneath a wonderful painting,\u2019 Johnson explains. \u2018When you had dinner or lunch in this room with Mr Rockefeller, all of your senses were filled with the beautiful colours and the exquisite craftsmanship surrounding you.<\/p>\n

Quelle: Christie’s<\/a><\/p>\n

\n

Artenportrait des Wiedehopf<\/a>:<\/h3>\n
\"Von<\/a>
Hoopoe picture by Luc Viatour \/ https:\/\/Lucnix.be<\/figcaption><\/figure>\n

Im 18. Jahrhundert war der Wiedehopf in unseren Regionen noch weit verbreitet.
\nHeute stellt sich die Lage leider anders dar.<\/p>\n

\n

Der Wiedehopf<\/a> ist in Bayern vom Aussterben bedroht sind und somit auf der Roten Liste (Kat. I) gef\u00fchrt. Nach dramatischen Bestandsr\u00fcckg\u00e4ngen in der zweiten H\u00e4lfte des 20.Jahrhunderts in ganz Deutschland, scheint sich die Situation f\u00fcr den Wiedehopf in einzelnen Regionen der \u00f6stlichen Bundesl\u00e4nder wieder zu verbessern.<\/strong><\/p>\n

Obwohl vermutlich nur noch knapp ein Dutzend Brutpaare in Bayern zu Hause sind, kann man Wiedehopfe regelm\u00e4\u00dfig auf dem Fr\u00fchjahrszug beobachten, was vermutlich Durchz\u00fcgler gen Nordosten sind. Zum Teil verweilen diese Tiere einzeln oder paarweise l\u00e4ngere Zeit in Bayern und so ist ein gewisses Besiedlungspotential f\u00fcr neue Brutpaare durchaus vorhanden.<\/p>\n

Bevor diese Art v\u00f6llig verschwindet, m\u00f6chten wir mit Sofortma\u00dfnahmen das Nistplatzangebot<\/strong> dort verbessern, wo in den letzten Jahren Wiedehopfe noch br\u00fcteten bzw. anwesende Paare auf Brutversuche schlie\u00dfen lassen.<\/p>\n

Sie k\u00f6nnen das Projekt des LBV bei Interesse unterst\u00fctzen:<\/strong>
\nhttps:\/\/www.lbv.de\/naturschutz\/arten-schuetzen\/voegel\/wiedehopf\/schutzprojekt\/<\/a><\/strong><\/p>\n

 <\/p>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

In diesen Tagen wird bei Christie’s der Nachlass von David und Peggy Rockefeller versteigert. Teil der Sammlung ist ein besonders sch\u00f6nes Paar Wiedehopfe von Johann Joachim Kaendler (1706 -1755) Ab 1731 schuf der gelernte Bildhauer Kaendler die erste europ\u00e4ische Formensprache f\u00fcr Porzellan und l\u00e4utete damit die k\u00fcnstlerische Bl\u00fctezeit der Porzellan Manufaktur in Meissen ein. Der […]<\/p>\n","protected":false},"author":2,"featured_media":4406,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[28,30],"tags":[43,314,395,459,486,41],"class_list":["post-4405","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-european-ceramics","category-expert-knowledge","tag-18th-century","tag-johann-joachim-kaendler","tag-meissen","tag-porzellan","tag-rockefeller-collection","tag-18-jh"],"_links":{"self":[{"href":"https:\/\/www.fayence-steinzeug-vogt.de\/en\/wp-json\/wp\/v2\/posts\/4405","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.fayence-steinzeug-vogt.de\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.fayence-steinzeug-vogt.de\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.fayence-steinzeug-vogt.de\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.fayence-steinzeug-vogt.de\/en\/wp-json\/wp\/v2\/comments?post=4405"}],"version-history":[{"count":1,"href":"https:\/\/www.fayence-steinzeug-vogt.de\/en\/wp-json\/wp\/v2\/posts\/4405\/revisions"}],"predecessor-version":[{"id":8750,"href":"https:\/\/www.fayence-steinzeug-vogt.de\/en\/wp-json\/wp\/v2\/posts\/4405\/revisions\/8750"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.fayence-steinzeug-vogt.de\/en\/wp-json\/wp\/v2\/media\/4406"}],"wp:attachment":[{"href":"https:\/\/www.fayence-steinzeug-vogt.de\/en\/wp-json\/wp\/v2\/media?parent=4405"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.fayence-steinzeug-vogt.de\/en\/wp-json\/wp\/v2\/categories?post=4405"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.fayence-steinzeug-vogt.de\/en\/wp-json\/wp\/v2\/tags?post=4405"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}